Ezio (Mysliveček, 1777)
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''Ezio'' is an eighteenth-century Italian
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...
in 3 acts by the Czech composer
Josef Mysliveček Josef Mysliveček (9 March 1737 – 4 February 1781) was a Czech composer who contributed to the formation of late eighteenth-century classicism in music. Mysliveček provided his younger friend Wolfgang Amadeus Mozart with significant comp ...
. It was the composer's second setting of a
libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...
by the Italian poet
Metastasio Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti. Early life Me ...
that was first performed in 1728, one of the most popular of the Metastasian librettos in Mysliveček's day. The story is based on incidents from the lives of the 5th-century Roman emperor
Valentinian III Valentinian III ( la, Placidus Valentinianus; 2 July 41916 March 455) was Roman emperor in the West from 425 to 455. Made emperor in childhood, his reign over the Roman Empire was one of the longest, but was dominated by powerful generals vying ...
and his general Aetius. For a performance in the 1770s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste. The cuts and changes in the text made for the 1777 performance of Mysliveček's opera are not attributable. All of Mysliveček's operas are of the serious type in Italian language referred to as
opera seria ''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abo ...
.


Performance history

The opera was first performed at the Hoftheater in
Munich Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the States of Germany, German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the List of cities in Germany by popu ...
on 10 January 1777.Documentation concerning the Munich performance of Mysliveček's ''Ezio'' of 1777 is found in Daniel E. Freeman, ''Josef Mysliveček, "Il Boemo"'' (Sterling Heights, Mich.: Harmonie Park Press, 2009). More detailed information is found in German in Karl Böhmer, W. A. Mozarts "Idomeneo" und die Tradition der Karnevalsopern in München (Tutzing, 1999), pp. 84-87. The composer was to have come to Munich a year earlier, but he was detained in Italy due to the effects of
syphilis Syphilis () is a sexually transmitted infection caused by the bacterium ''Treponema pallidum'' subspecies ''pallidum''. The signs and symptoms of syphilis vary depending in which of the four stages it presents (primary, secondary, latent, an ...
. By the end of 1776, he had temporarily recovered enough to travel to Munich. In the autumn of 1777, he underwent an operation for facial disfigurement associated with his disease that resulted in his nose being burned off. Earlier research assumed that the Munich ''Ezio'' was merely a revival of the composer's setting for
Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ...
in 1775, however it has come to light recently that the court of
Maximilian III Joseph, Elector of Bavaria Maximilian III Joseph, "the much beloved", (28 March 1727 – 30 December 1777) was a Prince-elector of the Holy Roman Empire and Duke of Bavaria from 1745 to 1777. Biography Born in Munich, Maximilian was the eldest son of Holy Roman Empero ...
, insisted on completely new music, which Mysliveček did provide. The cast included the great
castrato A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to ...
Luigi Marchesi Luigi Marchesi (; 8 August 1754 – 14 December 1829) was an Italian castrato singer, one of the most prominent and charismatic to appear in Europe during the second half of the eighteenth century. His singing was praised by the likes of Mozart ...
, who had earlier appeared only in minor roles, but was given one of the leading roles in this production. His singing was considered superb by the court of Munich, and Mysliveček used his influence with the management of the
Teatro San Carlo The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent t ...
to engage him for a series of operas in Naples in 1778–79. Mysliveček's intervention enabled Marchesi to establish himself permanently as one of the leading singers in Italy. Except for Marchesi's singing, the opera was not considered to have been particularly successful, and it was overshadowed by the overwhelming success of Mysliveček's
oratorio An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is mus ...
'' Isacco, figura del redentore'', which was performed in the same theater only a few weeks after the run of ''Ezio'' ended.


Roles


Vocal set pieces

Act I, scene 2 - Aria of Valentiniano, "Se tu la reggi al volo"
Act I, scene 3 - Aria of Ezio, "Pensa a serbarmi, o cara"
Act I, scene 4 - Aria of Fulvia, "Caro padre, a me non dei"
Act I, scene 5 - Aria of Massimo, "Il nocchier che si figura"
Act I, scene 7 - Aria of Onoria, "Quanto mai felici siete"
Act I, scene 9 - Aria of Valentiniano, "So chi t'accese"
Act I, scene 11 - Aria of Ezio, "Guarda pria"
Act I, scene 12 - Aria of Fulvia, "Finche un zeffiro soave" Act II, scene 3 - Aria of Valentiniano, "Vi fida lo sposo"
Act II, scene 4 - Aria of Massimo, "Va, dal furor portata"
Act II, scene 6 - Aria of Ezio, "Recagli quell'acciaro"
Act II, scene 7 - Aria of Fulvia, "Quel fingere affetto"
Act II, scene 8 - Aria of Varo, "Nasce al bosco in rozza cuna"
Act II, scene 10 - Aria of Onoria, "Finché per te mi palpita"
Act II, scene 13 - Quartetto "Ecco alle mie catene" Act III, scene 1 - Aria of Onoria, "Peni tu per un'ingrata"
Act III, scene 2 - Aria of Valentiniano, "Con le procelle in seno"
Act III, scene 5 - Rondò of Ezio, "Mi dona, mi rende" non-Metastasian text
Act III, scene 10 - Aria of Massimo, "Tergi l'ingiuste lagrime"
Act III, scene 11 - Aria of Fulvia, "Ah, non son io che parlo"
Act III, scene 13- Coro "Della vita nel dubbio cammino"
Act III, scene 14 - Chorus, "Della vita ne' dubbio camino"


See also

* ''Ezio'', 1775 version


References

{{Metastasio 1777 operas Works set in the 5th century Fiction set in ancient Rome Italian-language operas Operas by Josef Mysliveček Opera seria Operas Valentinian III Cultural depictions of Flavius Aetius